I’ve always admired Grillet for
his cinematic work, but his literature is just as good. He employed what I can
only described as “cinematic” prose to describe details events in a carefully
constructed scenario. Isn’t this the today to go, as writers, today? Modern
society is drenched with filmbluraydvds and we’re still pondering the paucity of
fiction unhampered by excessive (often syntactic) stylistic experimentation. I
hope to see the emergence of a truly “cinematic” novel one day, and I thank Grillet
for the initiating the undertaking.
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